Harpenden, United Kingdom

Nothing is ever truly old, or without purpose.

Serpil Çalışkan works across three practices — mixed media artist, object conservator, and children's book author — bound by one conviction: that reclaimed copper, brass, silver wire, wool and yarn carry a second life worth the making.

01 — Artist

Wire and textile pieces built from reclaimed metal and yarn, under the name SerpilCaliskanart.

02 — Conservator

Specialist in the treatment and care of archaeological and historical objects.

03 — Author

Children's stories written with the same patience given to old and overlooked things.

About

A practice built on repair

FRSA — Fellow of the Royal Society of Arts

Serpil Caliskan

Serpil's training as a conservator shaped how she sees material long before it shaped how she makes art. Years spent stabilising, cleaning, and caring for archaeological and historical objects left her with a working belief: nothing reaches the end of its usefulness just because its first purpose is finished.

That belief became SerpilCaliskanart — a body of mixed media work built from copper, brass, and silver wire, wrapped and woven together with reclaimed wool and yarn. The materials are chosen, not just for what they once were, but for what they can still hold: a coil of wire that once served an entirely different job, given a second, deliberate shape.

The same patience runs through her third practice, writing for children — stories that ask young readers to look twice at things too quickly written off.

Materials in use
  • Copper wirereclaimed / oxidised finish
  • Brass wirereclaimed fittings & salvage
  • Silver wirefine gauge, hand-wrapped
  • Wool & yarnrescued fibre, hand-spun blends
SerpilCaliskanart — Selected Work

Wire, wool, and second lives

Four exhibition-ready pieces, professionally framed, max. dimension 90cm.

Conservation

Care for archaeological & historical objects

Specialism

Treatment, stabilisation, and long-term care of archaeological and historical objects, drawing on training in materials science and preventive conservation.

Approach

Every object arrives with its own history of damage and repair. The work is to read that history accurately before intervening — the same instinct that now guides the choice of every reclaimed wire and thread in the studio.

Case studies in preparation — a short write-up on recent object treatments will be added here.
RSA & Writing

Notes from the Fellowship

Reflections on material, repair, and craft — shared with the RSA Fellows community.